An anonymous reader shared this report from the Guardian:
Thousands of artists are urging the auction house Christie's to cancel a sale of art created with artificial intelligence, claiming the technology behind the works is committing "mass theft". The Augmented Intelligence auction has been described by Christie's as the first AI-dedicated sale by a major auctioneer and features 20 lots with prices ranging from $10,000 to $250,000...
The British composer Ed Newton-Rex, a key figure in the campaign by creative professionals for protection of their work and a signatory to the letter, said at least nine of the works appearing in the auction appeared to have used models trained on artists' work. However, other pieces in the auction do not appear to have used such models.
A spokesperson for Christie's said that "in most cases" the AI used to create art in the auction had been trained on the artists' "own inputs".
More than 6,000 people have now signed the letter, which states point-blank that "Many of the artworks you plan to auction were created using AI models that are known to be trained on copyrighted work without a license."
These models, and the companies behind them, exploit human artists, using their work without permission or payment to build commercial AI products that compete with them. Your support of these models, and the people who use them, rewards and further incentivizes AI companies' mass theft of human artists' work. We ask that, if you have any respect for human artists, you cancel the auction.
Last week ARTnews spoke to Nicole Sales Giles, Christie's vice-president and director of digital art sales (before the open letter was published). And Giles insisted one of the major themes of the auction is "that AI is not a replacement for human creativity."
"You can see a lot of human agency in all of these works," Giles said. "In every single work, you're seeing a collaboration between an AI model, a robot, or however the artist has chosen to incorporate AI. It is showing how AI is enhancing creativity and not becoming a substitute for it." ...
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