James Marriott, writing in a column: The world of print is orderly, logical and rational. In books, knowledge is classified, comprehended, connected and put in its place. Books make arguments, propose theses, develop ideas. "To engage with the written word," the media theorist Neil Postman wrote, "means to follow a line of thought, which requires considerable powers of classifying, inference-making and reasoning."

As Postman pointed out, it is no accident, that the growth of print culture in the eighteenth century was associated with the growing prestige of reason, hostility to superstition, the birth of capitalism, and the rapid development of science. Other historians have linked the eighteenth century explosion of literacy to the Enlightenment, the birth of human rights, the arrival of democracy and even the beginnings of the industrial revolution. The world as we know it was forged in the reading revolution.

Now, we are living through the counter-revolution. More than three hundred years after the reading revolution ushered in a new era of human knowledge, books are dying. Numerous studies show that reading is in free-fall. Even the most pessimistic twentieth-century critics of the screen-age would have struggled to predict the scale of the present crisis. In America, reading for pleasure has fallen by forty per cent in the last twenty years. In the UK, more than a third of adults say they have given up reading. The National Literacy Trust reports "shocking and dispiriting" falls in children's reading, which is now at its lowest level on record. The publishing industry is in crisis: as the author Alexander Larman writes, "books that once would have sold in the tens, even hundreds, of thousands are now lucky to sell in the mid-four figures."

[...] What happened was the smartphone, which was widely adopted in developed countries in the mid-2010s. Those years will be remembered as a watershed in human history. Never before has there been a technology like the smartphone. Where previous entertainment technologies like cinema or television were intended to capture their audience's attention for a period, the smartphone demands your entire life. Phones are designed to be hyper-addictive, hooking users on a diet of pointless notifications, inane short-form videos and social media rage bait.

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